gives an adequate performance as the protagonist, who reminded me at times of Larry Talbot in The Wolf Man movies. It allows the viewer to get to know Mark intimately and, let's be honest, the good doctor should be seeing a psychologist to resolve his own issues. While I have seen that technique employed effectively in other films, I've never seen it used to such a large degree. However, what truly sets it apart from other "B" mysteries is the extensive use of voice-overs to convey Mark's thoughts. Death, from Naish's weird, obsessed detective to the hypnosis-infused climax. Carrol Naish) and a persistent fear that he could still be the murderer-even though Maria's lover has been arrested. However, his ability to bury the past is obstructed by a dogged detective (J. Maria's demise allows Mark to pursue a relationship with his loyal nurse Stella (Patricia Morrison). How brutal? The killer beat Maria to death with a blunt instrument and then threw acid in her face. Mark blacks out one weekend and awakes in his office to learn that his wife Maria has been brutally murdered. Mark Steele, a financially successful neurologist trapped in a loveless marriage. It's an imaginative mystery with noirish elements that kicks off the franchise in style. THE COURT JESTER DANNY KAYE PUTLOCKER SERIESDeath was the first of a six-film series produced by Universal in the 1940s. Inspired by the popular Inner Sanctum radio suspense series, Calling Dr.
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